The Light

11 05 2010




Faithless – Not Going Home (3D Stereoscopic)

21 04 2010




Kanye West – “Coldest Winter”

24 02 2010

Director: NABIL
DP: Josh Reis
Editor: DJ Sing
CG post: Baked FX lead artist: Kyle Belko
After Effects: Gustavo & Clara
Production Co: Partizan





Pivot

9 02 2010

When a man is witness to a murder and takes pictures of the killer, he has to run for his life. During the chase he is able to turn the tables and the prey becomes the hunter. All resulting in an unfortunate ending.

The film is designed and animated by: Kevin Megens, Floris Vos, Arno de Grijs, André Bergs
Music and sound design by Alex Debicki.
Script by Jan Eduards.
Produced by il Luster Productions.





Nexus 6 – Party Doll

27 01 2010




Music Video Editing in Autodesk Smoke – Part 1

25 01 2010

New to editing on Smoke? This tutorial covers everything from syncing your shots to scratch audio to ganging clips for multi-camera editing in sync with the music.





JVC IF-2D3D1 Stereoscopic Image Processor

7 01 2010

JVC Professional Products, introduced the IF-2D3D1 Stereoscopic Image Processor, which works as a 2D-to-3D converter and as a 3D L/R mixer for video content producers. Housed in a rugged, 1RU metal cabinet and compatible with a wide range of HD formats, the IF-2D3D1 is designed to help 3D content producers improve their workflow, whether they are converting archived 2D material or shooting original content in 3D.

IF-2D3D1 Product Features

– Real-time 2D/3D conversion using unique JVC algorithms
– 2D is converted into 3D in real time. Select from four different 3D mixed formats for stereo video
output.
– Separate L/R HD-SDI outputs enable conversion of existing 2D content to 3D. Handy for rough
editing.
– 3D output can be adjusted for both parallax and 3D intensity.
– Conversion of L/R dual signals to a 3D mixed format, ideal for real-time monitoring when
shooting in 3D or when shooting with 2D equipment
– Scope: waveform monitor and vectorscope for comparing L/R video streams.
– Split: for close comparison of left-eye and right-eye images on one screen with a movable
boundary.
– Rotation: to facilitate use of a reversed camera setup when shooting in 3D.
– HD-SDI frame synchronizer* for synchronizing a pair of cameras that lack external sync.
– Anaglyph and sequential viewing modes for enhanced convenience, providing multiple ways to
check 3D content.
– Compatible with a wide range of HD formats
– Housed in a rugged metal cabinet (1U)

Available March 2010

via [StudioDaily]